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Hindsight:
Faith Reframing Tragedy
By Kerry Gubb
Oratorio. Opera. Popular. Sacred. She could—and
did—sing it all. Genes, training and hard work conspired wonderfully to
create my mother’s soprano voice with the sweet clarity of a nightingale and
power to fill a huge auditorium.
Most of all, though, was the
emotional impact. From recording her first studio "78" in the mid 1940s
until the end of her singing career in the late 1980s, she could hold your
soul in the palm of her hand and make you believe she was singing directly
to you even though you were in a crowd of hundreds.
Mum has an emotionally rich
personality that dramatizes her singing. She loves people. She cares deeply.
She empathizes. It all found expression in her singing. She is totally head
over heels in love with God, and her devoted life has through the years
enriched the spiritual journey of many in her household of faith.
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Age and illness has silenced my mother’s beautiful
voice.
But not her heart.
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Then came the brain tumor.
Symptoms—diagnosis—shock—fear—options… the sequence familiar to many.
Pathology: "benign." Great relief. "But it will still kill her by pressure
on the brain as it grows"—fear revived. In the end, surgery saved her life,
but it damaged facial and auditory nerves enough to end a wonderful singing
career.
At such times, even families of
faith ask questions they later regret. Mine was: "Why would God silence a
voice that does little else but praise him?"
As if he had created this
ugly anomaly. As if time and chance had played no role. As if I’d have been
more compassionate to my mother than he seemed to be at that moment.
Thank God for his mercy to us in
our pain-driven frailty (Psalm 103:12-14)!
Mum’s faith and deep love for God
helped her come to terms with it before the rest of us did. We did, though.
We all do eventually—in our respective trials—if we remain "in him" (John
15:4).
For 20 years now, we’ve accepted
that it was great while it lasted. We’re thankful that Mum has precious
memories of a 40-year experience, but realistically, it’s well-and-truly
over.
Or is it? Isn’t it?
Flashback—1960s: As I grew up,
there were two versions of my mother. There was the view from the front, the
perspective most people had. She would come on stage, facing the
congregation and enthrall them with worship music.
Then there was the view from the
back. What I call "hindsight," the side of Mum that most people didn’t get
to see. She’d sit at the piano, learning a piece. She’d stand by the piano
while her accompanist and she rehearsed. And the way our home was
configured, whenever I passed by her on such occasions, I could see her back
and shoulders moving involuntarily, rising, falling, swaying mildly, moving
with the feeling and sincerity that so typified her singing, particularly of
sacred music.
Flash Forward—2009: Standing in
the congregation for a hymn, two rows in front of me, is my frail mother,
age 80 in a few months, leaning on her walking-frame. Physically, she is a
shadow of what once was. Her voice no longer packs a punch. Not many of
those once thrilled by her singing are even alive to remember it.
And then it hits me: Her back and
shoulders still move involuntarily—rising, falling, swaying mildly, moving
with the feeling and sincerity that so typifies her singing.
True, I can no longer hear the
crisp pitch, the dynamic range and power—nor all the other things that once
coalesced into such a technically talented soprano. Then something else hits
me: For 20 years I’ve regretted what I can no longer hear. But what
has God, who sees and hears and knows all, been "hearing" over that
time?
Two rows in front, her back and
shoulders are still moving; the emotional intensity of love and praise are
still there, intact. In fact, they haven’t missed a beat.
"These are the ones I look on with
favor: those who are humble and contrite in spirit, and who tremble at my
word" (Isaiah 66:2, TNIV). That’s my mother.
"As the deer pants for streams of
water, so my soul pants for you, O God" (Psalm 42:1). That’s my mother.
Then yet another thing hits me,
courtesy of hindsight: "The Lord does not look at the things man looks at.
Man looks at the outward appearance, but the Lord looks at the heart" (1
Samuel 16:7).
Although we enjoyed listening to
Mum sing, it was never about her voice, was it?
It was never about her
performance.
It isn’t about our performance.
It was always about her heart.
It’s always about our heart.
I thought I’d learned this from my
mother 50 years ago.
Clearly I needed to be reminded.
And I was—through "hindsight"—two
rows behind as her back and shoulders rose, fell, swayed mildly, moving with
feeling and sincerity.
It’s about the heart, isn’t it?
Always will be.
Copyright 2009
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